Coming of age in the British capital during the 2000s, I was always immersed in a world of suits. They adorned businessmen rushing through the financial district. They were worn by dads in the city's great park, playing with footballs in the evening light. Even school, a cheap grey suit was our mandatory uniform. Traditionally, the suit has functioned as a costume of seriousness, signaling power and professionalism—traits I was expected to embrace to become a "man". However, until lately, my generation appeared to wear them infrequently, and they had largely disappeared from my consciousness.
Subsequently came the incoming New York City mayor, Zohran Mamdani. Taking his oath of office at a closed ceremony dressed in a sober black overcoat, pristine white shirt, and a distinctive silk tie. Riding high by an ingenious campaign, he captivated the world's imagination unlike any recent contender for city hall. Yet whether he was cheering in a music venue or appearing at a film premiere, one thing remained mostly constant: he was frequently in a suit. Loosely tailored, contemporary with soft shoulders, yet traditional, his is a quintessentially middle-class millennial suit—well, as common as it can be for a cohort that rarely chooses to wear one.
"This garment is in this strange position," says style commentator Derek Guy. "Its decline has been a gradual fade since the end of the second world war," with the significant drop arriving in the 1990s alongside "the advent of business casual."
"It's basically only worn in the most formal locations: weddings, funerals, to some extent, court appearances," Guy states. "It is like the traditional Japanese robe in Japan," in that it "essentially represents a tradition that has long ceded from daily life." Numerous politicians "wear a suit to say: 'I represent a politician, you can have faith in me. You should support me. I have legitimacy.'" Although the suit has traditionally conveyed this, today it performs authority in the hope of winning public trust. As Guy elaborates: "Since we're also living in a liberal democracy, politicians want to seem relatable, because they're trying to get your votes." In many ways, a suit is just a nuanced form of performance, in that it enacts manliness, authority and even proximity to power.
Guy's words resonated deeply. On the rare occasions I require a suit—for a wedding or formal occasion—I dust off the one I bought from a Japanese department store several years ago. When I first picked it up, it made me feel refined and high-end, but its tailored fit now feels passé. I suspect this sensation will be all too familiar for many of us in the global community whose parents originate in other places, especially global south countries.
Unsurprisingly, the everyday suit has lost fashion. Like a pair of jeans, a suit's shape goes through trends; a specific cut can therefore define an era—and feel rapidly outdated. Consider the present: more relaxed suits, echoing a famous cinematic Armani in *American Gigolo*, might be trendy, but given the cost, it can feel like a considerable investment for something destined to fall out of fashion within five years. But the appeal, at least in some quarters, endures: recently, department stores report suit sales rising more than 20% as customers "move away from the suit being daily attire towards an desire to invest in something special."
The mayor's go-to suit is from a contemporary brand, a Dutch label that sells in a moderate price bracket. "He is precisely a product of his upbringing," says Guy. "In his thirties, he's neither poor nor exceptionally wealthy." Therefore, his mid-level suit will resonate with the group most likely to support him: people in their thirties and forties, university-educated earning middle-class incomes, often discontented by the expense of housing. It's precisely the kind of suit they might wear themselves. Not cheap but not lavish, Mamdani's suits arguably align with his proposed policies—which include a capping rents, constructing affordable homes, and free public buses.
"It's impossible to imagine Donald Trump wearing this brand; he's a luxury Italian suit person," observes Guy. "As an immensely wealthy and grew up in that New York real-estate world. A power suit fits seamlessly with that elite, just as more accessible brands fit well with Mamdani's cohort."
The history of suits in politics is extensive and rich: from a former president's "shocking" tan suit to other national figures and their suspiciously polished, tailored sheen. As one UK leader learned, the suit doesn't just dress the politician; it has the potential to define them.
Perhaps the point is what one academic calls the "performance of ordinariness", invoking the suit's historical role as a standard attire of political power. Mamdani's specific selection leverages a studied modesty, neither shabby nor showy—"conforming to norms" in an unobtrusive suit—to help him appeal to as many voters as possible. However, some think Mamdani would be aware of the suit's military and colonial legacy: "This attire isn't apolitical; historians have long pointed out that its modern roots lie in military or colonial administration." Some also view it as a form of protective armor: "I think if you're a person of color, you aren't going to get taken as seriously in these traditional institutions." The suit becomes a way of asserting legitimacy, particularly to those who might doubt it.
This kind of sartorial "changing styles" is hardly a new phenomenon. Indeed historical leaders previously donned three-piece suits during their formative years. These days, certain world leaders have started swapping their usual fatigues for a dark formal outfit, albeit one lacking the tie.
"Throughout the fabric of Mamdani's public persona, the tension between belonging and otherness is apparent."
The suit Mamdani selects is deeply symbolic. "As a Muslim child of immigrants of Indian descent and a progressive politician, he is under scrutiny to conform to what many American voters look for as a sign of leadership," says one author, while simultaneously needing to walk a tightrope by "avoiding the appearance of an establishment figure selling out his distinctive roots and values."
Yet there is an sharp awareness of the different rules applied to suit-wearers and what is read into it. "That may come in part from Mamdani being a millennial, able to assume different identities to fit the occasion, but it may also be part of his diverse background, where code-switching between languages, traditions and attire is common," commentators note. "White males can go unremarked," but when women and ethnic minorities "attempt to gain the power that suits represent," they must carefully negotiate the expectations associated with them.
Throughout the presentation of Mamdani's official image, the tension between belonging and displacement, insider and outsider, is visible. I know well the discomfort of trying to fit into something not built for me, be it an cultural expectation, the society I was born into, or even a suit. What Mamdani's sartorial choices make evident, however, is that in politics, appearance is not without meaning.
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